Recently we sent - Exposing Art Crimes Lack of Response Violates First Amendment and in another issue we discussed the timeline of some 1990s art crime events (read it here). In an attempt to explain how Suzanne solved the riddle of her mother's story, by figuring out Frederick Koch's checklist. A checklist for making right with the art world after committing nearly one billion dollars (today's value) in art crimes. Art crimes from a 1990 art heist in Boston and a 1991 art fire in London. 

During Suzanne's journey on this story, the moment that stands out the most to her is about a torn and tattered Jim Cassel print her mother received from Frederick Koch. It is already hard enough to imagine yourself in the middle of such an amazing art story. 
But here Suzanne is looking at genuine artwork by van Gogh, Picasso, Manet, etc. She knew nothing about artwork. However, she had heard of these artists. But art like this is nothing anyone in her world ever knows about first hand. You can only see artwork by these artists if you visit a museum. 

So, imagine sitting there surrounded by this amazing artwork in your own home. Looking at it, going over the story of how your mother came to be in possession of such amazing artwork. You pick up this torn and tattered print by Jim Cassel. You tell your mother that she should throw the print away. It is worthless. Your mother states firmly, "NO. That is the most valuable piece".
That is where Suzanne found herself. She ponders that the print cannot possibly be worth more than the van Gogh and Picassos. Suzanne asks her mother, "What do you mean?" Her mother goes on to describe how the man was emotionally and visually attached to the print. His hands shook when he gave it to her. It was inside a manila folder, and that was inside an envelope. It was the only item he didn't sell her; he gave it to her. 

Suzanne remembers sitting there holding that print and thinking, "This print has an emotional meaning versus a monetary value. This print is going to solve something huge one day". That was more than 20 years ago. 

Then, in June of 2012, Suzanne solved her mother's story by solving Frederick Koch's checklist. It was the day she solved the Cassel print. She had no doubt in that moment that she had finally solved her mother's story. It couldn't have been solved without all the right information. Below is a photo of the torn and tattered Cassel print.

The photo above was taken many years ago. This past October, Suzanne was contacted by someone who had the full print. She was surprised to learn that her mother didn't have a copy of the full print. Suzanne believes if her mother had had the full print, she wouldn't have made the same connection she made when solving this story. Helping to prove she truly solved it.

The part of the print her mother received, as you can see above, only has the man looking at the canvas. Suzanne solved the Isabella Stewart Gardner Museum art heist after she connected to the five pen and pencil drawings, a Manet painting, and the Bird finial connections to her mother's artwork. It was then, when she connected the Vermeer painting to the Cassel print, that she knew she had truly solved her mother's story. A man seated looking at a painting, connected to the Vermeer painting of a man seated looking at a painting.  She will never forget the moment she made the connection. It unraveled unexpectedly, and nothing she was looking for or would have expected.

You can see in the full print below that it is of a man painting a lady. 

So while the number one question has always been, why did this billionaire do what Mary claims he did? But another question Suzanne has asked is why he selected the pieces he sold to her. Especially the Jim Cassel print, and now knowing the full print, you know the print this billionaire gave her mother was worthless. Plus, it is mentioned in the notes between Fred and Mary twice. Seeming to validate the print had an emotional purpose behind it. Because it definitely doesn't have a monetary value.

If you are still confused, that is only because you still don't have all the information. 

Crime & Canvas

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Alexander Calder | Camille Bombois |  Édouard Manet | Jane Peterson | Jim Cassel | Kees van Dongen |  Pablo Picasso | Vincent van Gogh

Stolen Charles Darwin Notebooks

 Stolen for David Koch

Suzanne believes it’s possible that the Tree of Life notepads were stolen by or for Frederick's brother, David Koch's Hall of Human Origins Exhibit completed in 2010 at the Smithsonian. The Exhibit even has a Charles Darwin statue.

David Koch quote "It seems to me what's amazing is how much Darwin got right 150 years ago. It's staggering what he got right. He got enormously more right on evolution than what he got wrong." (read it here)

Cambridge University knows who returned the notebooks to them... They requested help from the public in getting their notebooks back. Now that it is their turn to return the help and step forward so that the Isabella Stewart Gardner Museum can get their artwork back. 

The video link below discusses why it is believed the same person did both crimes.

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